martes, 3 de noviembre de 2009

YoungBlood Brass Band - Center: Level: Roar: 2003


YoungBlood Brass Band - Center: Level: Roar: 2003

Jazz

In some sense, we're all children to the end... the day we quit playing is the day we quit living.

The Youngblood Brass Band embodies that principle in everything they do, however serious the music may become. Billing themselves as "6 horns, 2 drummers, a sousaphonist, and an MC," the group was founded in 1995 when these young men were high school students in Wisconsin. It's not your average brass band, for sure. With their anything-goes approach, they harness the spirit of jazz big bands, New Orleans style marching bands, hip-hop, modern composition, punk rock—and just keep on going.

With their third record, center:level:roar, the Youngbloods stir the pot some more. The disc opens with a quiet storm, Nat McIntosh's sousaphone accompanying David Henzie-Skogen's spoken word. Thirty seconds later, a stylized Afro-Cuban rhythm intercepts the gesture, leading into off-kilter funk on "Round One." Remember, this is a brass band—separate musicians are playing snare and bass drums. Soon we're soaring in the highest trumpet altitude, fully brassed out and pumped. (Arturo Sandoval's standing out there somewhere with his hands over his ears, crying. Get over it, Arturo.)

The energy that defines this introduction continues to pervade the rest of the music. Whether the YBB cooks up James Bond (or James Brown) Horns, Afro-Brazilian rhythms, uprock hip-hop, or funky swing, they serve it on a very hot platter. Fair warning, okay? The music that moves rhythmically with the bodies on the street will not sit down in your living room.

Apart from the ever-changing brass element of center:level:roar, the MC deserves some attention. Whatever else happens musically, the human voice never lags far behind, and in the end it serves as a uniting force. In sound, David Henzie-Skogen's raps retain traces of upper-Midwest twang. In content, the lyrics are activist and extremely clever. In practice, they have a punchy Brooklyn delivery. And yes, this recording is also available on vinyl.

There's definitely a philosophy underlying all the shifty change on the record. Something out of "Diaspora" sheds light on the matter:

I heard century-old griots disclose millenia-old secrets
to sleeping capoeiristas under metropolitan trees
I tasted goats' blood gumbo up in Congo Square
cook-offs in front of Armstrong's bell
I knew it was worth the wait

All one big stew. All one continuum.
"Now dance!"
By Nils Jacobson.
**
Center:Level:Roar is the kind of music-making that those of us who bemoan the recent further deregulations of mass media could only dream of. Youngblood Brass Band, out of Madison, WI, represents the kind of honest diversity, integrity, and ingenuity that's hard to find in this society of air-brushed pop stars and watered down "music." Brilliantly composed by band leader Nat McIntosh, and tightly played by the band, the songs on this album are unlike anything you'll hear anywhere else -- a mind-blowing blend of hip-hop, nawlins-style brass band, jazz, rock, and overall greatness. MC D-Cipher brings to the mix some achingly lovely verse, as well as mad kickin beats. No independant music lover's collection is complete without this album.
**
Nat McIntosh, The Warrior- Sousaphone,
David Henzie-Skogen, dciph- Snare Drum and Cymbal/MC,
Tom Reschke- Bass Drum and Cymbal,
Joseph Hulbert- Trombone,
Joe Goltz- Trombone,
Alex Wilkens- Tenor Saxophone,
Mike Boman- Trumpet,
Charles Wagner- Trumpet,
Jeff Maddern- Trumpet
**
01. To Come Together 0:32
02. Round One 5:25
03. Culture:Envy:War 4:19
04. Brooklyn 6:51
05. Diaspora 3:53
06. Human Nature Pt.2 5:10
07. Thursday 2:24
08. The Movement 7:21
09. Avalanche 4:09
10. Nate McCarish Handbills For No Man 2:40
11. Camouflage 4:53
12. Is An Elegy 5:37
13. Under Your Influence 4:20
14. V.I.P. 6:39
15. And Leave Alone
**
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